A sifter keeps the flour light, even as it accidentally sprinkles the surface of a countertop. It always leaves behind a dusting of its own existence.
“As a teenager, there were constantly clothes to take off the line. We had, at one point, 3 clotheslines reaching out from the windows to the telephone pole tucked away in the left corner of our backyard. The reaching of arms out the window as our legs anchored us inside was a brutal test of our ability to balance and stretch. Our body became a part of this apparatus-as it often does when we complete physical tasks; our joints propel us forward while shoulders and hips and heads bear weight and get worked. When our bodies become mechanisms, where does the boundary lie? Is the edge of our body the tip of our finger or is it the ends of the bristles of the broom as we sweep the floor?
The elements in my work originated from specific remembrances – often involving a task being completed while the rest of a household moved around it. These objects reference specific fragments of familiar gestures. Harnessing traces of these memories, I seek to challenge notions of recognized movement and undertakings. The transformation from a remembered visual to a physical instrument enlarges an aspect of self, marking an extension of identity.” – Katie Coughlin
Created by Katie Coughlin
Video by Andrew Ina
Choreographer Kim Wilczak
Performers:
Angelica Bell, Bita Bell, Cole Henry Jones, Claire Moore, Laura Patterson
2018 Urban Arts Space Gallery, Columbus, Ohio
bita bell 